Monday, 28 June 2010

Is it as easy as that? Your 3-minute film production guide

 
Making a film is an exciting project for any organisation, but what is involved is often poorly understood. But don’t be put off, it’s just a case of being clear about what you want to do at the outset.

A community film is a great way to bring people together because film-making requires a collaborative approach and a wide range of skills. The first point to consider is whether the priority is process or product.

A process led approach values inclusion, participation and engagement of the (initially untrained) target group(s). This approach values learning skills and everyone enjoying taking part

A product-led film leaves most of the work to a commercial company and the focus will be on a highly-finished glossy product. Stakeholders will be consulted, but most significant roles will be undertaken by staff who are very experienced and highly trained.

Some people would argue that the process and product distinction is not as clearcut as it first appears; but thinking about your aims and objectives will at least help you to clarify what you need to do.
  
The 3 Stages of film-making

(1) Pre-production is the planning and development stage: rationale, aims, scripts, budgets, locations, roles, timetables etc;

(2) The production or filming stage;

(3) Post-production involves editing and selecting from what has been filmed and the use of distribution formats such as dvd. Be prepared to spend 80% of your time on the first and third stages. You might also want to think about public presentations, screenings, discussions, online forums...

Defining a Rationale

Target? Who is your finished film for? Is it aimed at the general public (to be posted on YouTube)?

Or is it intended more for internal use - for staff or service users? Perhaps a limited edition souvenir DVD ?

If the aim is to document an event such as an activity day then the project is already time-specific.

Length?

Remember that only the most dedicated participants will want to sit through a 3 hour film. A 5- minute film could be much more effective and practical.  

Style? Funny or serious ?


Quality counts

A film can be very effective in shifting perceptions, in raising awareness and supporting your campaigning objectives. Perhaps the idea is to produce a promotional film that can be added to your website, or sent out as a DVD to your supporters. In that case it would be detrimental to end up with an amateurish product that suggests an unprofessional organisation. Shoddy communications will do more harm than good.

On the other hand real people talking about their experiences can be more powerful than the best actors! Try to think in terms of people and 'The Story' rather than idea and propaganda!

A job for everyone

If the emphasis is on process then the main resource will be volunteer time, people commitment and training, perhaps over 3 months.

There are as many roles as you have volunteers, and most of these will be behind rather than in front of the camera. Consider roles such as producer, director, camera operator, sound. Perhaps there is a role for a researcher and an interviewer (a community reporter).

You could also think costumes, make up, music-making, posters and publicity, ushers, refreshments …some people may have more than one role or job to do. So multi-skill to avoid boredom and lack of variety.

But the editing process can be quite complex and it makes sense to leave it to a small team or to one trained individual.

Fundraising and resources

With professional suport, you may expect to pay $1000 or more for a 1-day film shoot to produce a 3 minute film. In briefing a film company be clear about how you want to engage the real-life community most effectively and ensure that ethical issues such as consent are fully understood.

If you are buying your own equipment prices start at £80 for a very basic flip camera; expect to pay £300 for a good camcorder, and over £1000 for a second-hand semi-professional camcorder. DVDs printed with cases cost about £1 each and online upload on YouTube or Vimeo is free.

It makes sense to consider a do it yourself approach if you have time to experiment, or if you budget is very restricted. Sometimes it makes sense to have professional support initially, and then transition to a more independent approach.

© Dr Ian McCormick. But please do contact me if you want to use the TEXT of this article as a guest post on your blog. With attribution offered I seldom refuse! Drop me a line.

Dr Ian McCormick is the author of The Art of Connection: the Social Life of Sentences (2013) ... 
  also available on Kindle, or to download

Dr Ian McCormick is Director of the International Community Film Forum.

Tuesday, 1 June 2010

Celebrity and Community

Time to Fix the Environment: Manchester shows that Celebrity and Community is not a Toxic Mixture

Celebrity and Community are much-abused words.

The darker (or should we say glitzy?) face of celebrity is greedy, ego-centric people and their failing relationships; their multiple addictions; their constant see-saw between the need for high visibility and a hard-won private life. Occasionally, a token charity is endorsed, or a baby adopted – and that provides the living proof of the beating human heart.

For many people of modest means there is an objection to the cult of celebrity, and a system that permits awesome inequality. Is a footballer really worth a million times more than a nurse? It’s not the indvidual celebrity that we love or hate, it’s the systematic inequality that sanctions it. Perhaps we need to remember, however, that celebrity springs from celebration – coming together to share and endorse something. Pleasure not pain.

The word community has its own problems. First, we are beginning to doubt that it exists. People don’t know their neighbours, let alone trust them. Private pools, clubs, societies, cars, schools, property allow people to build a wall around their life, cut off from the ‘great unwashed.’ And the local community can be a prison house for ordinary people too; we find ourselves trapped in a concrete jungle without local amenities, or we just don’t share the same language, gang or subculture. A local community can also imprison with the dead hand of low aspiration and low achievement. We are told that in some communities social capital is undetectable. That said, there are often rich and nuanced linkages between people that the sociologists and policy makers are unable to quantify. And communities often unite around an issue, if they have the opportunity or the confidence

But when celebrity and community authentically meet few would doubt the benefits.

I would like to briefly note the work of a community media company based in Manchester UK who have worked with over 80 local people to write and produce a 40-minute film called Green Wave. It’s set in the year 2080 and deals with a range of ways that ordinary people can make a contribution to tackling climate change. the project was inter-generational, with a cast ranging from a baby to 87-year-old Ralph Wagstaff. Participants explored meaningful green actions and learned act for the first time.

Guest star appearances have come in the shape of John Henshaw (Early Doors) and Frank Sidebottom comic Chris Sievey. They will be joined by Danielle Henry (Torchwood and Survivors). Commensurate with the civic pride, the film’s premiere will take place at Manchester Town Hall.

The crossing of celebrity and community has gained publicity and esteem for the project, for the film company, for the participants, the stars, and climate change awareness. A virtuous circle and all-round winners !

A Note on REELmcr

“REELmcr is a dynamic, not for profit social enterprise, committed to giving a voice to the most alienated, deprived, under represented and vulnerable communities. We provide intergenerational community groups from across the North West, with the opportunity to gain experience of innovative media production and a chance to tell the personal or collective stories of individuals and communities, using filmmaking as a medium for storytelling, encouraging groups to focus on the issues that affect all members of their community, rather than their differences, cohesion is the goal that underpins all of our projects.”